My article in Bronte Studies

My article in Bronte Studies
My article

Saturday 11 November 2017

John Ruskin and WSW

Did John Ruskin play as big a role in William's life as did Charlotte Bronte?

The University of Lancaster is home to a wonderful archive of John Ruskin's work. I spent a day there looking at his diaries and some of the other manuscripts he left.

To me of greatest interest was the 1861 first edition of Selections from the writing of John Ruskin edited by William Smith Williams. It is an alladin's cave. It shows the breadth of his interest, from fine art, through architecture to political economy.

Quite when William first met Ruskin remains unclear, however there is every reason to believe that William read the first volume of his first book Modern Painters very soon after publication in 1843/44.

William was certainly in 1843 a regular contributor to the Athenaeum Periodical. I have found some eight art and theatre reviews which he wrote that year. On 3 February 1844 a lengthy review of Modern Painters by a Graduate of Oxford appeared in the Athenaeum. It was scathing. Who was this young pup saying such modern nonesense. It is clear that William thought otherwise. He shared with Ruskin a love of Turner, especially early Turner landscapes which they both felt followed the path set  out by watercolourist, Samuel Prout.

William would later send a copy of Modern Painters to Charlotte Bronte to assist with the broadening of her mind.

The Smith Elder archive at the National Library of Scotland contains some fascinating further material.

In the 1860s, Ruskin turned his attention to political economy and wrote a series of articles together under the title Unto the Last for the Cornhill Magazine, published by Smith and Elder. He then wrote further lectures which came together in a number of books. In the archive there are personal letters from Ruskin to William concerning the publication of these.

Tuesday 23 May 2017

Who was this man whom they say discovered the Brontes?

Charlotte Bronte described him as pale, mild, stooping man of about fifty.

We know, or can infer, that his schooling brought him into contact with boys who would go on to careers as significant thinkers and writers. We know that his social group included or was close to some of the most exciting thinking of his time. He grew up close to theatre land and both had a great love of theatre and a deep knowledge of it. He had a love of painting, Turner in particular; he wrote on the place of Art in Design. He worked for many years for a ground breaking Lithographer; he wrote on the techniques of Lithography. Yet, his emergence into the public view was from a position as a book keeper, and it would seem not a very good book keeper.

But who really was William Smith Williams?

The book sets out to trace whence he came and whither he went to find the characteristics that enabled him, among many far more eminent, to recognise a groundbreaking shift in the English novel.
Follow this link to find out how to buy the book