My article in Bronte Studies

My article in Bronte Studies
My article
Showing posts with label Lithography. Show all posts
Showing posts with label Lithography. Show all posts

Tuesday, 19 March 2019

Accepted Manuscript of an article published by Taylor & Francis in Bronte Studies

William Smith Williams: Charlotte Brontë’s First Devotee

Below is the link to an article I wrote for Bronte Studies. I have since published a book, Charlotte Bronte’s Devotee, telling the whole of what I discovered about this fascinating man. The article is but the bare bones. The book is available to buy

The article explores some of what is known of William Smith Williams, the reader at Smith, Elder and Company, who discovered and mentored Charlotte Brontë. It traces his childhood, education and early career. His interest in art was perhaps as great as that in literature and the article explores a number of his writings on the subject. His correspondence with Charlotte Brontë is well known; less familiar is his relationship with John Ruskin on which this article seeks to shed some light. It will show that William Smith Williams was very much a Renaissance man who attracted both friendship and respect from many of the nineteenth century’s leading writers, artists and thinkers.

A preface to the article explains my interest:

Philip Hamlyn Williams’s interest in William Smith William stems from his irritation that William Smith Williams seemed to be dismissed by many Brontë biographers. He holds an MA in Professional Writing and in 2008, as a mature student, was awarded a First Class Degree in Humanities from the University of Exeter. He, previously, had pursued careers in professional services, principally as a partner in accountants Price Waterhouse and the not-for-profit sector. He is the author of two books on the how the British army was supplied in the two World Wars: War on Wheels and Ordnance, both published by The History Press, Gloucester, England.

Correspondence to: Philip Hamlyn Williams. Email: philhwilliams@gmail.com. Website:  www.philwilliamswriter.co.uk.

The article, published by Taylor & Francis in Bronte on 18 March 2019, is available online:
The Kindle edition of the book is available by following this link 

Sunday, 14 January 2018

William and Kentish Town

William moved from Paddington to Harmood Road in Kentish Town at about the time of the Great Reform Act of 1832.

They lived first at 25 and then at 31. I visited there on Saturday, only to find that those numbers now attached to modern town houses. I had hoped to see number 31 a step up in the world for the Williams family. Happily over the road the original late Georgian houses remain and are wonderful.
I mentioned the Great Reform Act because it extended the franchise to included those owning houses worth more than £10 per annum. Did the Harmood Road properties cross the qualification threshold? I haven't yet traced William to the electoral register, but I will keep looking.

He would have been very much in favour of the Act and would have been looking forward to further reforms in the coming decade.

He was at the time working for the pioneering lithographer, Charles Hulmandell, but also in touch with influential periodicals such as the Examiner, Athenaeum and Spectator. In due course he would become a contributor of articles on art, theatre and literature.

Tuesday, 23 May 2017

Who was this man whom they say discovered the Brontes?

Charlotte Bronte described him as pale, mild, stooping man of about fifty.

We know, or can infer, that his schooling brought him into contact with boys who would go on to careers as significant thinkers and writers. We know that his social group included or was close to some of the most exciting thinking of his time. He grew up close to theatre land and both had a great love of theatre and a deep knowledge of it. He had a love of painting, Turner in particular; he wrote on the place of Art in Design. He worked for many years for a ground breaking Lithographer; he wrote on the techniques of Lithography. Yet, his emergence into the public view was from a position as a book keeper, and it would seem not a very good book keeper.

But who really was William Smith Williams?

The book sets out to trace whence he came and whither he went to find the characteristics that enabled him, among many far more eminent, to recognise a groundbreaking shift in the English novel.
Follow this link to find out how to buy the book